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GEORGE DUKE

PRÓXIMO LANZAMIENTO ... Septiembre 2008

HEADS UP INTERNATIONAL SIGNS
JAZZ/R&B/FUNK LEGEND GEORGE DUKE

November 30, 2007, Cleveland, OH –
Heads Up International, one of the world’s premier crossover jazz labels, today announced the signing of an exclusive recording agreement with keyboardist/composer George Duke and his Big Piano Music record label. An enduring figure in straightahead jazz, jazz fusion, R&B and funk since the 1960s, Duke will make his Heads Up debut with a yet-to-be-titled album scheduled for release in September 2008.

The scope of George Duke’s imprint on jazz and pop music over the past forty years is almost impossible to calculate. Duke has collaborated with some of the most prominent figures in the industry. A producer since the 1980s, he has crafted scores of fine recordings – many of them GRAMMY winners – for artists representing almost every corner of the contemporary American music landscape.

“I’m very excited to have George on board,” says Dave Love, President of Heads Up International. “He brings with him a lifetime of innovation and excellence, and a resume that includes collaborations with some of the biggest names in jazz, funk, rock and pop. There’s an unprecedented artistic synergy at Heads Up, thanks to the many high-profile artists currently on the label, and George’s presence and contribution is certain to push that synergy to an even greater intensity.”

“I’m very happy to be part of this new association with Heads Up,” says Duke, who is currently in the studio crafting the new album. “There’s a huge audience that’s interested in the music of more mature artists, and music that has a little more depth than what you might find elsewhere. I look forward to working with Dave and his team on all of the productions for BPM as I believe that’s what Heads Up is all about.”

George Duke entered the jazz scene in the 1960s as a pianist in a straightahead trio in San Francisco. By the end of the decade, he had begun exploring more progressive avenues by recording with the likes of Jean-Luc Ponty and Frank Zappa. In the ‘70s, he worked with an array of artists: Cannonball Adderley, Sonny Rollins, Billy Cobham, Michael Jackson, Stanley Clarke and many others. By the ‘80s, he had shifted his emphasis to producing – Dee Dee Bridgewater, Melissa Manchester, Take 6, Anita Baker, Natalie Cole and more – yet still maintained a solo discography of his own. He has also composed music for numerous motion picture and television projects, and has maintained a consistent presence on the Billboard charts since the mid-‘70s. He has scored six GRAMMY nominations for solo recordings, and has produced numerous albums for other artists that have been GRAMMY winners.

His debut on Heads Up promises to be a return to the funk sensibilities he originally explored in the late ‘70s – the kind that successfully combined energy, fun and thematic substance. To date, the guest list includes Bootsy Collins, Jill Scott, Howard Hewett and Tina Marie. Additional high-profile funksters – old-school and newcomer alike – are likely to get on board before the sessions are complete.

“This is probably going to be the biggest record I’ve done in a long time,” Duke predicts. “I’m trying to get back to the kind of message that was being delivered in the ‘60s. If you look back at Sly Stone or James Brown, those guys delivered positive, uplifting messages. That’s what this record will be about. There will be some political statements made, some other issues addressed, but all in a positive way. I really want this to be a record that people love.”